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6.19.09:

Sally Szwed and Dan Phelan have curated a temporary, public art show which will be opening this Sunday at that expanse of underpasses at the intersection of Potrero and Cesar Chavez in San Francisco. The temporary exhibition headquarters they are calling "The Big White Truck Gallery" will be parked next to the baseball diamond on Potrero heading south right before Cesar Chavez. It should be a fun, unusual event.

INTERIM INFILLS

With Site-specific public art by:

Torreya Cummings, Nina Elder, Alicia Escott, Chris Fitzpatrick,
Julia Goodman, Justin Hurty, Cameron Kelly, Elyse Mallouk, Raphael Noz, Brandon Olsen, Weston Teruya, Jessica Tully, and Imin Yeh

Opening Info:

Sunday June 21, 2009 5-8:30pm

The Big White Truck Gallery (Exhibition Headquarters) will be parked along the side of Potrero Ave. heading south (on the last block before Cesar Chavez)

Because the exhibition is sited over a relatively expansive area, the opening headquarters will be held in the back of a big white truck parked along Potrero Ave. all the way at the end next to the baseball field. Inside the van will be site maps and documentation of the various projects.

The Bay Area is full of beautiful and functional public space. However, there are spaces that while technically both “public” and “functional” fail to coincide with our perceptions of what is desirable and recreationally useable. As the urban network expands and highways are built, crisscrossing in mid-air, bisecting neighborhoods and skewing horizons into abstract zigzags, the underneath and in-between spaces become more plentiful, but in their dark, damp shadiness, not necessarily more attractive to the common pedestrian.

A major junction off of highway 101, the intersection of Cesar Chavez and Potrero, (once the site of Bonnie Ora Sherk’s historic public work, “The Farm”), is a surreal tangle of asphalt, whirring automobiles, and dark acute angles where cement meets earth littered with trash and discarded drug paraphernalia. Urban planners have attempted to make this concrete jungle traversable by implementing narrow walkways and footbridges, but have neglected to explore its potential as more than a thoroughfare, and one best avoided at that. The highway underpass is but one example of the abundance of potentially useable civic zones that exist as simultaneously available and seemingly off limits. This peripheral space represents the often present boundary between potential and actual accessibility.

INTERIM INFILLS is an exhibition that will not only explore this particular underused and underappreciated urban matrix, but also the general defining process of public space in any city. The exhibition responds to this strangely beautiful transit zone by creating stopping points throughout. These projects will be temporal or permanent, subtle or eye-catching, objects or performance/projections, silly or contemplative—but will all be site specific and installed without permission (or dare we say Guerilla-style).

INTERIM INFILLS is a Zero Capital project curated by Sally Szwed and Dan Phelan. for more info on this global non-profit visit: www.zerocapital.net

Questions? contact Sally Szwed at sallyszwed@yahoo.com or Dan Phelan at boatwerks@gmail.com

5.23.09:

June is the month to buy art and support your local non-profit alternative spaces. Lots of fundraisers happening in the next few weeks. Two organizations near and dear to my heart will be holding their annual art auctions on consecutive weekends:

June 6th from 6 - 10:30 pm will be
Pop Noir
a fundraiser for Southern Exposure at Electric Works (130 8th Street, San Francisco, CA)

Preview Event: 6:00 pm – 7:30 pm
Main Event: 7:30 pm – 10:30 pm
Live Auction: 8:30 pm – 9:15 pm
Silent Auction: Lots begin to close at 9:30 pm

Here's a preview of the piece I've donated to SoEx for the event:

And on June 13th at 7 pm, Intersection for the Arts will be having their 2009 Benefit Art Auction

Here's a preview of the piece I've donated to Intersection for the event:

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Just as a side note about the pieces--I'm usually asked to donate 3 or 4 pieces to organizations each year. Unfortunately my working process isn't fast enough for me to build up a reserve of small works to draw from, so I have to make new pieces each time. Since I just finished mounting a solo show, I was particularly short on work, but this did seem like a good opportunity to experiment a bit and push the cut paper collage elements of my 2D work into these paper sculptures. Whether or not this represents a new direction for the work, the fundraiser-as-opportunity-to-experiment was something I really enjoyed.

5.1.09:

My apologies if you attempted to look up the site last weekend but ended up at a placeholder page. My web hosting service made an error and wasn't forwarding traffic to the proper address. Everything should be up and running again.

4.7.09:

It's been a while since I've updated.

- Opening next month, I'll have my second solo exhibition with Patricia Sweetow Gallery titled The Pull of Two Signs Rising Over the Land. I'll be showing alongside Jina Valentine who will have her own solo show in another part of the gallery. Jina's a great artist who's shown at Steve Turner Contemporary in L.A., The Drawing Center in New York, and was a part of the Frequency exhibition at the Studio Museum in Harlem. I'll post more information about the show soon.

- Two fundraisers have come and gone. Kearny Street Workshop recently moved and they held a housewarming/fundraiser to which I donated a piece.

Southern Exposure added a new facet to their fabulous, annual Monster Drawing Rally and asked a number of artists to create pre-event drawings which were then raffled off in a "Drawing Drawing." This was a fun way to participate even without sweating nervously at a table (or is that because I wasn't panicking at a table). It also didn't hurt that I both donated a piece and won one--a beautiful Jovi Schnell collage.

- There have been a handful of press pieces over the past few months: 7x7 Magazine briefly mentioned my work in an article on 14 Bay Area artists. Sculpture Magazine published a review by Amber Whiteside (.pdf) of my collaborative installation with Michele Carlson last year at Intersection for the Arts. Mary Chou's review of last year's APAture exhibition at Kearny Street Workshop was published by NY Magazine. Lost at E Minor and twenty2wo blog had very kind words and netdiver generously listed me in their best of 2008.

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